Sand master Yelena Kadyrova touches sand on the table, as well as on a cinema, viewers see waves, a ship, and also the Little Mermaid swimming on the waves. Each scene remains on the display for no more than a number of secs. Actors, artists, as well as an author help to give life to the story unraveling and also make it simple for the target market to immerse themselves in the story.
Yelena Kadyrova’s first sand performance was in 2010. “My method was weak, however I had a great deal of desire and motivation,” she informed The Moscow Times.
Prior to that, she used different strategies as well as tried to work with loose tea, coffee, grits, and even dirt from the road. Sand transformed out to be the best product.
“It has so much power! It’s like “now that we’ve met, we can never ever be parted,” Kadyrova stated. “Sand is unpredictable, like life itself. A moment in time is never ever duplicated, as well as the illustrations in sand perfectly reveal this changeability and the relevance of the moment. It is terrific when the whole target market, all at the exact same time, is sorry to see the picture disappear as well as waits on its rejuvenation right into a brand-new one.”
The sand master at the workplace. Courtesy of Yelena Kadyrova Birth of masterpieces Yelena Kadyrova often carries out at the invitation of Vitaly Averianov, supervisor of the art task Beau Monde. For these efficiencies, there is currently a movie script as well as songs, as well as she just works with sand. Sometimes she produces the play herself. She composes the movie script, goes over scenes with invited musicians, as well as discusses songs with musicians. Wedding rehearsals begin.
Sand preparation takes an unique place in the process. “Sand isn’t all the same. It’s like brushes: there are cheap ones with artificial bristles sticking out in all instructions, as well as there are pricey ones with a good all-natural bristles that can be found in various appearances and dimensions. To create a lovely performance, sand has to be great, uniform, and also heavy. I import it from around the globe. I even order from the Sahara! The distribution is much more costly than the sand,” Yelena Kadyrova says.
Once the sand is picked, it has to be washed, sieved, and also burned. Just then is it all set for work.
Performances for children are generally concerning 40 minutes to an hour. Exclusive shows dedicated to a wedding event or a birthday have to do with seven to fifteen minutes.
You can not simply make use of any kind of sand for this job. Courtesy of Yelena Kadyrova Prior to the performance, the devices is checked, and also just when whatever is ready as well as the audience has collected in the hall does the magic start.
The sand efficiencies are held at the city’s most prominent halls: the Nutcracker Municipal Ballet Theater, with the B-A-C-H chamber band at the Yekaterinburg Music House, with the Ural State Russian Orchestra, with pianist Vladislav Chepinoga at the Sverdlovsk Philharmonic Concert Hall, as well as at other city social venues.
Among one of the most popular productions in Kadyrova’s substantial as well as ever-growing repertory is “Aladdin’s Magic Lamp.” Yelena Kadyrova; Pavel Vasiliev, the conductor of the Ural State Russian Orchestra; and also soloist Alexei Petrov all won the Sverdlovsk region Governor’s reward in 2020 for this manufacturing.
One of the most psychological production, nonetheless, is “The Amazing Journey of Edward the Rabbit.” Typically the entire target market and even performers weep.
Every sand play can be viewed many times, given that sand never ever drops similarly, as well as each time the story is drawn in different ways.
“We have numerous great productions, and we’ll remain to execute them,” Kadyrova said, “yet, certainly, I still have several suggestions as well as tales that I intend to attract.”